Im going to need to reference this in court soon, most likely.
https://www.cochranelibrary.com/cdsr/doi/10.1002/14651858.CD006207.pub6/full
I'm in the process of creating the demo for an upcoming video on a 1974 Fender Twin Reverb. This is the point where I'm editing the video and audio layers all together with green screening. The studio-captured audio is not added yet. This is just a rough video mix with the RAW camera guide audio for the drums and guitar ONLY! So this is what the drums and rhythm guitar are sounding like in the room by themselves with no close miking and no post processing (other than a bit of compression and EQ). I am actually kind of shocked how good this is sounding even though one of the camera mics (the one for the drums) is from a DJI Action Cam and the other (for the guitar) is a Panasonic camcorder mic. Usually when making this kind of demo, the raw camera mic audio acts as a guide when lining up video clips on the editing timeline and then gets deleted from the final timeline before publishing. In some cases, I will even mix in a hint of the raw camera microphones with the studio mix to give ...
Woke up a few mornings ago and my back was seized up again. Left shoulder in a great deal of pain. Cannot play guitar currently. Been trying to self-medicate and sleep it off, but not great results so far. Anyway, here's a compilation of my past one man band demos to tide you over on Guitologist content.
Thanks to Shmu from THET Podcast for having me on today: https://www.twitch.tv/videos/2548930654