I'll be at this years DIGF again. If anyone here is planning on going, be sure to say hi. I have run into a hiccup though. I dropped $500 on some new camera equipment to get better footage of the show, and the package might not arrive on time. THANKS AMAZON! Thanks a lot. It told me before ordering that it would arrive in plenty of time, and now the timing keeps getting pushed back. I am beyond pissed. There's still a couple days before I leave, so maybe a miracle will happen.
I'm in the process of creating the demo for an upcoming video on a 1974 Fender Twin Reverb. This is the point where I'm editing the video and audio layers all together with green screening. The studio-captured audio is not added yet. This is just a rough video mix with the RAW camera guide audio for the drums and guitar ONLY! So this is what the drums and rhythm guitar are sounding like in the room by themselves with no close miking and no post processing (other than a bit of compression and EQ). I am actually kind of shocked how good this is sounding even though one of the camera mics (the one for the drums) is from a DJI Action Cam and the other (for the guitar) is a Panasonic camcorder mic. Usually when making this kind of demo, the raw camera mic audio acts as a guide when lining up video clips on the editing timeline and then gets deleted from the final timeline before publishing. In some cases, I will even mix in a hint of the raw camera microphones with the studio mix to give ...
