This was the full jam session on the Gibson L1 I did recently. As you probably know, I usually will jam for a while on something and then pick a few highlights to show in a final video. A ton of stuff got edited out. It's not all great, but it's not all bad either. I find it kind of soothing, this quiet acoustic stuff. I'm never sure where the mood will take me.
This is a video response to Tone Priest's question about modding a Hiwatt clone build. If you are a paid member here on Locals and have tech or other questions, I'll be happy to give you a similar video response when I get time! Thanks so much for all your continued support.
I made this quick video the other day for a friend and figured I'd post it here as well. He wants to get started in slide, so I was quickly showing him some open tuning concepts to make the transition to slide a bit easier. Kind of like learning slide without a slide.
I'm in the process of creating the demo for an upcoming video on a 1974 Fender Twin Reverb. This is the point where I'm editing the video and audio layers all together with green screening. The studio-captured audio is not added yet. This is just a rough video mix with the RAW camera guide audio for the drums and guitar ONLY! So this is what the drums and rhythm guitar are sounding like in the room by themselves with no close miking and no post processing (other than a bit of compression and EQ). I am actually kind of shocked how good this is sounding even though one of the camera mics (the one for the drums) is from a DJI Action Cam and the other (for the guitar) is a Panasonic camcorder mic. Usually when making this kind of demo, the raw camera mic audio acts as a guide when lining up video clips on the editing timeline and then gets deleted from the final timeline before publishing. In some cases, I will even mix in a hint of the raw camera microphones with the studio mix to give ...
Are you going to be making a big video of your trip to your buddy's? Seems like a treasure trove.
I think he may be onto something with phase matching in that weird network. If they just wanted to cut gain wouldn't they just put in a voltage divider? What amp is that? Curiosity has got me on that one.
When I built my 'Prince of Darkness' amp I copied the front end of an ancient Gibson amp and I gotta say, it sounds really good.
