Here’s a typical email i get about amps. What would you tell him?
Hi Brad,
You run a business and you probably get a lot of stuff related to your YouTube channels, so I certainly understand if you don't have time for this.
After the tone experienced from a Ryan Adams show a couple of weeks ago, I've decided to go back to a tube amp. He was running a killer rig with two Benson Chimera heads with a Benson Tall Bird reverb unit for each head. Needless to say - that's way out of my price range,
I wanted to get some recommendations for a tube amp head. I've heard so many opinions. I'm on a tight budget because I really want to also pick up a Two Notes Captor X when playing live. I need to stay around $500 - $700 and I need an effects loop because I want to use my Helix for effects. I've looked at stuff like Marshall Origins, Hughes and Kettner Grandmeister 40 Deluxe, and even a Bassman (I was told by an amp repair guy in the shop that he could install an effects loop easily. He highly recommended a hand-wired amp (no shit).
The main reason I'm contacting you is to see if you have recommendations or, even more importantly, amps that I should stay away from because of negative experiences you've had on the bench. The Marshall Origins seem to be decent, but the web has mixed comments. Any help would be appreciated. I also have a quad cortex that can capture amps that are pretty much dead on accurate (Somebody uploaded a real Dumble recently), but I like old school knobs, etc and you end up endlessly fiddling with the options with a QC. So any help with suggestions would be appreciated if you have the time. I need a 30 w but could go 50w if necessary..
I'm in the process of creating the demo for an upcoming video on a 1974 Fender Twin Reverb. This is the point where I'm editing the video and audio layers all together with green screening. The studio-captured audio is not added yet. This is just a rough video mix with the RAW camera guide audio for the drums and guitar ONLY! So this is what the drums and rhythm guitar are sounding like in the room by themselves with no close miking and no post processing (other than a bit of compression and EQ). I am actually kind of shocked how good this is sounding even though one of the camera mics (the one for the drums) is from a DJI Action Cam and the other (for the guitar) is a Panasonic camcorder mic. Usually when making this kind of demo, the raw camera mic audio acts as a guide when lining up video clips on the editing timeline and then gets deleted from the final timeline before publishing. In some cases, I will even mix in a hint of the raw camera microphones with the studio mix to give ...