Hi Brad
I’m positive as always although I live in the war zone !!!
But so far so good ,
Needless to say I’m full focus on making the guitars and communicating with the Backer’s for the shipping , I just sent around 50 guitars recently all together around 250 being delivered , most of the comments are positive.
Also I have an account with FedEx and it’s still around US$150 for shipping guitar worldwide it’s a serious issue and I don’t really know what to do, thanks God people do understand that it’s a crazy expense on my side and they’re willing to pay shipping. I believe that at one point everything will come together fine.
Some people buying extra stuff like pick ups etc. and with that money I ship to those who don’t pay the shipping.
However the constructions of Boaz One is getting more efficient and more accurate, and it’s getting approve on a daily basis, I’m full focus on that and hoping for better days all around.
Feel free to call and it’s good that you’re staying in touch.
Boaz
I'm in the process of creating the demo for an upcoming video on a 1974 Fender Twin Reverb. This is the point where I'm editing the video and audio layers all together with green screening. The studio-captured audio is not added yet. This is just a rough video mix with the RAW camera guide audio for the drums and guitar ONLY! So this is what the drums and rhythm guitar are sounding like in the room by themselves with no close miking and no post processing (other than a bit of compression and EQ). I am actually kind of shocked how good this is sounding even though one of the camera mics (the one for the drums) is from a DJI Action Cam and the other (for the guitar) is a Panasonic camcorder mic. Usually when making this kind of demo, the raw camera mic audio acts as a guide when lining up video clips on the editing timeline and then gets deleted from the final timeline before publishing. In some cases, I will even mix in a hint of the raw camera microphones with the studio mix to give ...
